- The narrative opens with an open letter from Behn describing writing this piece within hours, promoting the idea of readers critically judging from their own merits the content of this narrative
- Behn addresses the reader claiming all aspects of this story true, seen from the perspective of her own eyes and what she hasn't seen being verified by "Royal Slave", Oroonoko
- The narrator describes the harmonious relationship between their people and the natives of Surinam (in the West-Indies), whom they trade with for animals and other supplies. Remarks regarding the natives beauty are complimentary except for color of skin. Described in the following, "Features, are very charming and novel; for they have all that is called Beauty, except the Colour, which is a reddish yellow. . ." (202 Behn)
- Interesting that Behn as the narrator constantly feels the need to address the reader, continually implying the validity of Oroonoko's story and deeds. Emphasizing just how much he stands out in comparison to other
- Behn describes the appearances of individuals of color in extremes, from "absolute beauty" to "the worst". Distinct imagery in descriptions
- Love triangle between Oroonoko, the King and Imoinda, Imoinda tries to conceal her relationship with Oroonoko as a means to protect him from harm at the hands of the king
- Theme's of betrayal and honesty, combined with class distinctions. Oroonoko being a man of his word believed the captain of the ship would actually let him and his comrades go home once reaching the shores of land. Perceived betrayal by his Grand-father as pertaining to the relationship with Imoinda and Prince Oroonoko being tricked into slavery
Behn, Aphra. "Oroonoko; or, The Royal Slave."
The Norton Anthology of World Literature Volume D. 202.
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