Reading Notes W3: Moliere, Part A
This is actually my second reading of Tartuffe by Moliere (my first being in theater appreciation last spring), and like my first experience; the elements of comedy struck me. Specifically, the use of repetition and consistent rhyme allowed for comedic moments to flow. These comedic moments are accentuated by the ease of conversation provided through rhyme. Also, the bravery of Moliere to provide healthy commentary on an institution like nefarious misuse of faith/religion is bold. As, the historical context section on page 142 states, "this plays intention isn't to mock faith but to attack its misuse". Here are some specific aspects/examples that drew my attention.
Tartuffe:
- Nearly every female character, aside from Madame Pernelle, see's right through Tartuffe. A sly feminist edge can be seen throughout the play
- Dorine demonstrates a strong-willed, sly, no BS characterization. Through this characterization an individual referred to as a servant, shows complete intellectual complexity and is a driving force in this families rescue:
Dorine: I am here to say,
You both are idiots! What's this about?
I left you two alone to fight it out,
To see how far you'd go. You're quite a pair
In matching tit for tat - Hold on, Valere!
Where are you going? (76-81, 166)
- Tartuffe also demonstrates the hierarchy of family during this time. The father is the ruler of the household ultimately making all decisions regardless of anyone's input. The play demonstrates the faulty nature of such control and the damage in can do:
Mariane: You know that fathers have such sway
Over our lives that I've nothing to say.
I've never had the strength (15-17, 161)
- Tartuffe as a character encapsulates the overall theme of corruption and the use of religion/faith as a tool for manipulation. Like a vast majority of comedies during this time, the play ends with justice/ balance returning after Tartuffe manipulates Orgon into giving the deed of home to him:
The Exempt: Immediately. And there will be no bail. (46-47, 196)
Moliere, "Tartuffe" 161, 166, 196.
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